Showing posts with label memoir. Show all posts
Showing posts with label memoir. Show all posts

Friday, November 20, 2009

Recently On The Rumpus, Etc.

Lately at The Rumpus:





Just a random sampler.

And as always, the Rumpus has other great features too like, for instance an interview with Paul Auster and an interview with Colum McCann who just won the National Book Award.

AND! Great new stuff at The Splinter Generation too!

Other things I'm obsessing over:
Carson McCullers in general
Interviewing my friends about their most personal secrets, jumbling it up and creating new characters out of the information.
Writing a travelogue about what happens when you travel just to distance yourself from your loved ones.
Writing a long essay about the year 2001 when so much happened.
Night blooming plants.
Politics.
Farming.
My bookstore which today was so BUSY! And I was in the zone meaning I felt no fatigue until right this moment.
Katy (as always)
My family -- writing them long overdue letters that strive to explain myself!
Crafting my contentious memoir.
Doing interviews with people: Kate, the owner of my bookstore and then maybe this famous Beat poet, Bukowksi biographer and writer Neeli Cherkovski who comes into my store and chats with me now and again about books and poets and Heidegger.
In the winter time all I want to do is eat, read and sleep.

My 6 day workweek is almost over, and then the holiday season will begin and I'll be working 40 plus hour weeks and wrapping more presents that even Santa can fit in his sack.

Saturday, August 15, 2009

A Long Part Of A Story

Here's a rough, uninhibited draft part of a story I'm working on: a false memoir story: just part of the first two are covered, and not the third one which comes later.

Three Things To Forget


I was never taught to kiss or shave or tie my shoes.

I find it funny that when I first did them it was at the same time.

Was it really? No, not quite. But almost. I knew how to tie my shoes, but it was the easy way, the way a paid nanny taught me and it was not the proper way. Kissing I thought was violence. Until I did it wrong. And it was. Shaving, I assumed, was just what the muscular Apollos in the commercials did before they are whisked away on a sexual spaceship.

Now I can say I have a fairly hefty past. Because of just three things which are the beginning of many more.

It was when kids who were almost not kids played cruel games to pass the time.
Like Truth Or Dare. Or Thirty Seconds In The Gazebo or Doing Time or Smother The Lover. Doing Time, as you might have guessed, was an incarceration game. Smother The Lover riffed on the notion of the dog-pile which was an experiment in endurance, sort of like being tickled when you’re bound to a chair with garden hose. The word "lover" was our first dirty word and it incited the players to pile upon each other like rabid dogs. Often the pea at the bottom of that writhing pod would be four breaths close to passing out. But it was exciting being that pea.

The kissing was at a party full of ten and eleven year olds. It was a pool party where some brave boys had snuck in beer but the parents were nesting within the bowels of the house, playing a card game or watching detective shows, leaving us kids to the darkly-lit residential fringes where water splashed and girls laughed and the sound was the same but different.

Cold feet on rough concrete, easily scraped. We're always running. The slimy rim of the pool that made me shiver. The taste of pie you buy from the vending machines, the stale, frosted shell and the slaughterhouse innards.

Was it a birthday party or some other festivity? Birthdays were the only reason why anyone did anything. You always wanted to get old. Made a big display of it when you did. The houses had scraping edges and basin-shaped backyards that typically had pools gouged into them. The landscape was artificial like candy and thus purely enticing. You don’t stop liking candy even so close to your teens. Candy is a prop and a delight. It is not an acquired taste.

A bamboo grove, falsified or real, whispered on the edge of the pool. Some bogus oriental gazebo where people played their cruel games in. Things like Velcro wallets and limited edition tennis balls got lost in the ornamental foliage and people used that as an excuse to hide there. The unmistakable sound of Velcro opening, even on those sneakers where you could stow secret nickels. But the Velcro sound was never naughty, for it never protected such things.

I admit, now that I remember, it wasn’t a kiss at all that first time.

It was a glorious fuck-up.

Instead of kissing, I sucked and then finally bit this poor girl’s cheek. Her skin was tasteless but flushed. I heard her take in a sharp breath. A shard of air. Every particle was distinct and important. My tongue met her skin, as light and dry as an eyelash. My lips followed, my two front teeth with their rabbit’s gap sank into the occasion.

She took in another gasp. The sound of her breathing was shocking. Maybe she had sipped a half a beer and been splashed by cold, chlorinated water in the side of the pool as of yet unwarmed by the jostling of smooth bodies. I never thought about breathing until I sucked that poor girl’s cheek in the poolside twilight.

I wonder why it wasn’t her lips I kissed. They were, after all, presented to me. But I turned her cheek. What was it about those lips? They were chapped like motel wallpaper and there was candy, perhaps meat stuck in her braces, dissolute traits which made her seem dangerous and I remember it wasn’t her but her sister Corey, who chased me and pinned me against a grounded canoe in a game the camp counselor called Predator Prey.

Corey’s braces had made her gums bleed which invested her with a menacing, predatory face. That was a game that made me nervous. I took those things seriously. It was an unspoken way to gain status: being good at unimportant games.

Cruel games and cruel experiments: later we sit in offices and crack jokes about dying young.

The night of the pool party we had been experimenting with beer foam and lollypops like kids will do, and sometimes with more outright cruelty, knowing that something will always get hurt and will forever cry out to make it stop. Make it stop something will demand. Or not.

I don’t know why it wasn’t her lips. The peeling skin and the flotsam rotting under her metal-gated teeth was less nightmare and more ambiguous invitation. But her cheek was like the skin of a fruit. I’m talking about someone else now, I think. Pale like marble on the outside, sticky, fuchsia meat within, as distant and astronomical as a neighboring galaxy.

She told me it was funny what I did.

Everything was either funny or nice. Agony we kept quiet about. Ecstasy we saved for our dreams. I played it off like a joke. This was a first survival mechanism. I learned early to play things off as jokes, until people got wise that that was what I was doing which made things worse.

You set the fire in the bathroom? Yeah, all in good fun though. You scored a point for the other team? It was a joke, man! When you read aloud your voice cracks and you sound like a girl? I’m mocking my fat friend but I love him. You throw bottles at passing traffic? That was not me, that was him, his father abused him, his sister tried to sleep with him and soon, but you don’t know this now, he’ll become a white supremacist who’s doing time. And not the game Doing Time which was always interesting when the girls got to be the guards. There was visible unease in the boy's faces, as if a lesson was not only being taught but forcibly digested.

. . .HERE AN INTERMEZZO...an awkward encounter with a friend in a park. . .

I wouldn’t have kissed him were it not for the cheap wine and the lovely, riparian verse and the harvest moon with the frilly edges, almost cigarette-burned. B
But the girl I kissed was at a pool party where people were shooting billiards under a plantain tree. The submerged lighting gave everything a blue Hollywood glow. The boys had hairless, bright chests like billiard balls.

I was less self-conscious about taking my shirt off but I remember that even the slightest gust from the valley below could harden my nipples. My friend’s chests felt good to my open palm, like matter at its most permeable. I was palming them because of some game, twister meets hot potato and the smiles in everyone’s eyes were as hard as candy.

We had other games too. Hide N’ Seek crossed with Doing Time (a jail game).

We were ten or eleven and not afraid of life, only each other and what we might become. The girls had fierce hips. Less jutting than stabbing, like they were sidewinders and could injure you in your blind spots if you weren’t paying attention. Walking was as risky as driving when you’re night-blind. You had to pay attention. It was all quite nerve-wracking.

I remember she had a Polish last name and hair so blond it was almost white. I don’t remember being driven home later than night or feeling the anticipation of being in my room, stranded with myself and my eager hands. I don’t know how vivid my conjuring might have been, or if my imagination has gone stale in the intervening years that have done much to sully the soft, impressionable matter I was then. Life’s work, at least in these dirty metropoli is to mangle the softness, a task both necessary and traumatic.

I don’t remember what I might have done by candlelight with my headphones on. Today I attribute minor hearing loss to having expensive headphones. I attribute my immunity to hot coffee cups to my child’s love of candles. But what I would give to remember those first raptures, like a cow remembering dry lightning

But that night I also shaved because I thought I had whiskers. It was just prickly fuzz and I bled a lot, shiny pinkish blood that I smeared in my journal like some occult oath. The oath of the abyss I called it. I would cross the abyss of my own male fears. I’m an only child. I used to love Christ. But now I mistake him for matter. I’m a junkie for matter but I don’t have a lot of things.

I just praise the stones I pull from the creek. . .

TO BE CONTINUED

A mid month obsession update, brought to you by yard sale weather

Today has been yard-sale day in Bernal Heights!

A recipe for neighborhood mayhem. Everyone is out in their skimpiest, summer-worshipping threads, treasure-hunting their way through the highlands of Bernal, stopping to drink iced coffee, buy flowers and rifle through our books. I've been slain by honey-dripping stares, made dizzy by breaths pickled in booze, made flabbergasted by the demands of the occasional madman.

All in good fun.

I also hear it's national relaxation day. I'm doing that now, in my window nook study, sipping "sweet-spicy" tea, jumping between different pieces of writing. In a little bit I might walk up to the hill and stare at the water as cypress-tinted breezes tickle my arms. I might lay in the grass too. Today has been busy in a good way. My legs hurt contentedly. My mind hums pleasantly. My senses feel grass-fed and wild-roaming.

This morning my bookstore, which is right in the center of the yard sale circuit, was selling books by the pound. I was there, making signs and weighing books and helping people. We had an antique scale and we had boxes of books out front in the sun and the streets filled up and people dove through the boxes and filled up the store eagerly and hungrily. Some doubted the accuracy of our scale. Most were thrilled. It was controlled chaos and it was wonderful. I love the improvisational flourishes of the job and, in a larger sense, this neighborhood.

Improvising and thriving on chaos are two things I need not forget how to do. Especially as my manhood becomes a fuller and richer reality, with new challenges and new ways to resist.

The sun is still out but I'm inside for awhile, not wanting to be tempted by commerce. I like using my study too. It's odd being inside sometimes. I've gotten used to wanting to escape my house. Now it feels like a refuge from other refuges. A persevering chain of refuges.

At our book sale, I weighed an immaculate copy of Sexual Personae. It weighed one pound. I paid a dollar for it.

Here's the first paragraph:

"In the beginning was nature. The background from which and against which our ideas of God were formed, nature remains the supreme moral problem. We cannot hope to understand sex and gender until we clarify our attitude toward nature. Sex is a subset to nature. Sex is the natural in man. . .Society is an artificial construction, a defense against nature's power. Without society, we would be storm-tossed on the barbarous sea that is nature."

I have never read her, I only know she is considered provocative and controversial. If her thesis is that art arises from pagan chaos, then I can whole-heartily agree.

I've decided that Camille is a good name for a female character too. I also like names like Octavia, Esther, Rose and Lynne. Right now, I'm trying to visualize a novel protagonist who looks like and has the same nervous energy as a certain Crispin Glover.

I'm working on too much: short stories, the beginning of a novel and several long-winded episodes from an "apocryphal memoir". Maybe that's the most fun project of the moment, fun in that it reeks of pure self-indulgence and spins on a typical obsession: reading. Oh, reading and "desiring". Moreover, learning how to desire. What to desire. Who to desire.

I mean, who teaches us what we want? I think books have taught me a lot worth sharing.

My idea for this "memoir" which I call apocryphal just to be a pain in the ass, has coincidental resonance with a recent memoir by Nathan Rabin, a writer for the Onion. His book, The Big Rewind focuses on particularly formative and traumatic parts of his life through the lens of certain cultural works that he enjoyed at the time, like Dr. Dre's The Chronic or the film Grey Gardens. It is, he claims, a "memoir brought to you by pop culture."

Now what I have in mind is slightly different: more about books, for better or worse, and certainly far less traumatic, at least based on what I've read about Rabin's life and the disease, madness, homelessness and incarceration that has colored it. I just want to talk about times in my life through the filter of books I've loved and learned from.

This seed might have been planted when I read Henry Miller's essential The Books In My Life.

I hope to limit this to several long essay-stories, including one about queer culture in San Francisco, the long, weird summer and fall of 2001, learning about Death in college, figuring out what Sleaze means in high school, and getting my haircut and talking to my hairdresser about failed affairs, lurid liaisons and ridiculous misunderstandings.

All with books throughout. Ok, then. . .onward!